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Elmo's Fire (1985), which received negative reviews, but was a box office success Film critic Roger Ebert gave the film four out of four stars and praised her performance, writing, "There isn't a romantic note she isn't required to play in this movie, and she plays them all flawlessly." The following year, she played the quick-witted local laundress and prostitute in Neil Jordan's Depression-era allegory We're No Angels (1989) opposite Robert De Niro.
Her most successful film to date was the supernatural romantic melodrama Ghost, a sleeper hit that grossed over 5 million at the box office and was the highest-grossing film of 1990.
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Her commercial breakthrough came in Joel Schumacher's yuppie drama St.Freeze trailer, the Joker trailer and Catwoman trailer.
According to the news station KOAT, Michelle Martens confessed to police that she watched and did nothing while Fabian Gonzales and Jessica Kelley — a convicted rapist — sexually assaulted, strangled and dismembered Victoria, who had begged for mercy. The mother admitted that watching her daughter’s rape gave her “sexual gratification.” Martens reportedly told police that she and Kelley injected the little girl with meth, and that the women watched as Gonzales, Michelle’s boyfriend, sexually assaulted Victoria.… continue reading »
Doggett asked them to 'write something for the kids’ end of term concert' and they chose the biblical story of Joseph, which had its first performance at Colet in March 1968.… continue reading »
The supporting cast (Ontkean, Laurie, Lara Flynn Boyle and Ray Wise in particular) adds depth and emotion, making some episodes the most affecting ever seen on a TV screen.… continue reading »
Kurková received the Atmosphere Magazine Award at the Madrid Planet Hollywood restaurant on 18 December 2003.… continue reading »
These sectors are then grouped together into allocation blocks which can contain one or more sectors; the number of allocation blocks depends on the total size of the volume.… continue reading »
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David is very easy to define: he sings the completely high tenor stuff, high c’s in every single song.” Marín, a professional singer of the classical repertoire since childhood, “has got the darkest voice – he’s the baritone – and when he takes that weight up into what is for him a high register, it sounds very impressive.… continue reading »